“Well, the situation is pretty dire here. Our recommendation is all of our clients to invest all their resources into canned food and shotguns.” This nugget of shrewd guidance comes from the Brain Gremlin – a lab-engineered, talking, glasses-wearing member of the oozy monster mob that overruns Manhattan’s super-smart Clamp Tower skyscraper in helmer Joe Dante’s zany follow-up Gremlins 2: The New Batch. At first glance, it’s simply an portfolio pointer from one monster to another. But, oddly enough, it’s also pretty solid existential counsel. Honestly, hear me out.
When situations deteriorate, the most counterproductive action you can do is approach matters with excessive gravity. The Brain Gremlin understands this. Indeed, the majority of the toothy monsters that occupy Dante’s wild 1990 film (debateably his greatest) possess the same wry, meta funny bone regarding the blurry line separating the mundane and absolute bedlam. It’s a particular aspect of Gremlins 2: The New Batch that ensures my return – and as I age, it’s the message that echoes the loudest.
Of course, my fondness for this movie didn’t start on such an deeply thoughtful note. As a child, we were limited to a few well-worn videocassettes at home. Among them were Gremlins and its sequel, the latter housed in a bulky previously-rented case likely purchased from an off-brand video shop and featuring snarling creatures on its tattered front. I was immediately enamoured and these films quickly proceeded embedding themselves inside my young, susceptible psyche. After that point, they became an practically routine part of my youthful watching schedule.
Dante’s original usually receives all the praise, thanks primarily due to its status as a semi-scary seasonal fave – and to be fair, I’ve watched Gremlins more times than I can count. However, its successor infrequently obtains the same level of high regard, which feels a travesty. As a kid, I’d always seize the chance to watch Gremlins 2. During sunny school summer breaks, I’d seclude myself indoors and play it. When I acquired my personal TV-VHS combo unit, it stayed in constant rotation in my bedroom. Gradually, it became deeply rooted in my mental framework. If my parents observed this fixation, they gave no indication of concern.
As I got older, new understandings enriched frequent screenings, heightening the enjoyment of watching small emerald creatures gleefully trash a New York high-rise. I learned the ahead-of-its-time real estate tycoon and Clamp Tower owner, Daniel Clamp (John Glover), was modeled closely on the eventual commander-in-chief Donald Trump, with his auburn-haired worker Marla (Haviland Morris) referencing his former spouse Marla Maples. Fortunately, Clamp has more heart than his genuine article inspiration.
The “end of civilisation” video Clamp plays during maximum monster mayhem? I discovered it was inspired by a actual “Doomsday” video created by the CNN boss Ted Turner should the world actually met its demise. I noticed how Dante made a special effort to film different iterations of a self-referential segment where Gremlins hijack the very film you’re watching. A version for theaters, one for VHS and TV, each providing a grinning portion of fourth-wall-breaking cultural alchemy ahead of its time.
While it was effects expert Rick Baker’s wonderfully grotesque creatures that drew my gaze as a child, this hidden treasure maintained my fascination as an adult. In time, I even spoke to Dante about it myself and he had no reservations informing me he made the movie with the specific aim of poking fun at those who loved its silly-yet-sincere predecessor and desired a sequel. “We were going to make fun of the fact you came to see it,” he happily revealed. This Looney Tunes-esque defiance and resolve to not take his sequel as solemnly as his Warner Bros bosses evidently expected, only deepened my appreciation further.
When I went through a sudden family bereavement earlier this year, I was surprised to find that, during my most profound sorrow, all I wanted to do was sit and watch Gremlins 2: The New Batch. Odd, no? Perhaps not. The soothing reminiscence it provided was needed to weaken my mind’s sadness sludge – but the perspectives it had imparted to me as an adult were similarly beneficial.
Like Gremlins running amok in a genetics laboratory, there’s some things in life you just are powerless over. Dante is aware of it. The Brain Gremlin knows it too. Sometimes, you have to follow their example: welcome the pandemonium, invest all your resources into tinned provisions and hunting rifles and try not to view the world with undue solemnity.
It’s strong life advice from a most improbable origin – and it’s why Gremlins 2: The New Batch will forever remain my feelgood film.
Lena is a tech journalist with over a decade of experience covering consumer electronics and emerging technologies.